Eastern Drone

 A Drone-Inspired Arabic Fusion


Composition Background


I wanted to concentrate on some of the "drone" elements of Arabic music and fuse them with an electronic beat.

This is my first composition of this exercise where I am incorporating "live" Arabic instruments, namely the Saz Baglama
and it was recorded a few days after my Saz arrived. It incorporates both Saz strum and solo sections. 
The composition is backed by a breakbeat rhythm and a percussion-heavy rhythm loop.

Composition Structure


I try and vary my compositions, rarely staying with a set formula for the arrangement. This composition
consists of the following sections :- 

  • Introduction
  • Verse
  • Pre-chorus
  • Chorus
  • Interlude
  • Verse
  • Pre-chorus
  • Chorus
  • Interlude
  • Breakdown
  • Verse
  • Pre-chorus
  • Chorus
  • Interlude
  • Breakdown and fade out.


Composition Development


I had already composed a melody, which I had played on a MIDI instrument, so when my Saz arrived, it was a matter of 
replacing the MIDI parts with real instruments.

The drum and percussion parts consist of a breakbeat drum loop, together with a percussion loop and
some additional Arabic percussion in the breakdown sections.

The bass parts consist of a fuzzy bass synth and some bass mallet arpeggio sections.

The Saz was played live for both melody, which was doubled, with one track being lowered an octave
and some Saz strums.

I used the Halion 7 spectral synthesizer to provide an atmospheric backdrop and paired that with an apreggio pad.
The melody was then underpinned by a Mejwiz virtual instrument using "Eastern One".

The breakdown keys consist of a simple melody played using a simple saw wave synth pattern.

Finally, I added a Saz sample at the beginning and the end.

Reflection


My first composition incorporating live Saz playing, so this required a fair bit of practice before I attempted to 
record my first Saz take. 

I had to carefully balance the orchestration so it enhanced the drone effect, plus the addition of arpeggio 
elements added to the musical diversity.

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